- Joined
- Mar 28, 2001
- Messages
- 6,341
Greetings Wink,Date: 6/8/2008 6:45:15 PM
Author: Wink
Well, I was going to chime in that I think that when the lower girdles are towards the long end of the Exellent to Ideal range (GIA and AGS) that the flashes get smaller and often the diamond will show less dispersion, ESPECIALLY IN LOW LIGHT.
That is because dispersion''s flashes must be broader than the pupil of the eye at the point at which that light reaches the eye. The longer lower girdle facets create smaller flashes (shorter) flashes to begin with so more of the dispersion events will not be perceived as dispersion, but as white light since when all of the light enters the eye at the same time it is perceived as white by our eyes. Only when the entire flash of dispersion is NOT received completely in the iris of the eye do we perceive those wonderful flashes of color that some of us love so intensely.
Add to the already shorter width of the dispersive flashes in the longer lower girdle facets the widening of the iris in dim light and you begin to understand that if you are a dispersion fan you will probably want diamonds more to the middle or lower range of the lower girdle facet lengths if you wish to see the maximum dispersion in your diamond in lower light situations.
Then I was going to add that this is completely a matter of taste and that provided both stones are well cut that they will both be beautiful, but with slightly different flavors.
Then I saw the epic work provided by John Pollard and I decided not to expose the lack of time and effort that it would take me to respond what I was thinking when he has delved so deeply into the subject. It would just be too embarrassing...
Wink
In the above I''m taking it to mean in low spot type lighting. Correct me if I''m wrong.
Something that I am noting in the diamonds I''ve specifically been having cut is that I am having the pavilion mains cut in the 40.7 - 40.9 neighborhood which is causing the lower halves to fall greater than 41 degrees. This is causing the lower havles (which are now comprising the majority of real estate on the pavilion) to grab lots of light from around the observer resulting in more pinks and slightly less blues in ASET as seen in John''s graphics.
The bold flash you get off of wider pavilion mains are now instead diverted to the lower halves. You still get bold flash but they''re coming from the halves now instead of the mains with some nice pin flash too!
In diffuse lighting your contrast pattern changes but again you get lots of great white light return off of those halves taking up more real estate on the pavilion. They''re all honies though.