Have never done this -- posted a "making of" thread -- but it looked like fun and the professionals did such a great job on this project that I can't resist! This was a custom piece with a stone sourced from Inken and amazing metalwork by Gary Roe in Maine. Inken was kind enough to point me in Gary's direction for the very specific type of carving/engraving work I had in mind.
It started with this spinel from Inken. I had been looking for a vivid orangish-red spinel in a cushion or step cut (with an entirely different project in mind) when Inken alerted me to this one -- while acknowledging that it was not at all what I was looking for but was still very cool. Definitely an unusual color and shape -- but I liked the "racetrack" oval instead of the more conventional oval. The color is not super-saturated and maybe even a hint of gray but it's appealing and even more so in person -- a kind of dusty rose outdoors and a more coppery color in incandescent light and, oddly, under fluorescent light, too. I checked with spouse and kids and no one felt it was particularly unmasculine (showing my insecurity here). And it's big -- over 5 ct and 15mm (!) across. Shallow but no window and well-cut and very clean.
I had admired Gary Roe's amazingly detailed botanical-themed, hand-engraved, Art Nouveau-looking metalwork (his IG is gary_roe_ ) and I was always struck that the leaves resembled dragonfly wings. (See this example below with emerald and YG.)
So I asked Gary if he could do something similar to this ring, above, with this spinel but stylize a dragonfly wing/body motif. He was super-excited about the idea and we were off and running. We each sketched a design and I sent him mine -- and we were on exactly the same page, idea-wise (although mine looked like it was drawn by an impatient five-year-old.) Two segmented bodies along the shank and pairs of wings meeting/overlapping at the half-way point around the stone. I was a little reluctant about proceeding because there is so much hokey dragonfly stuff that looks nothing like an actual dragonfly. I love nature and insects and natural history and it figures in my job so I did not want a fakey dragonfly. (I know they have a role and a place but it was just not what I wanted to stare at on my finger.) I sent Gary some inspo photos and diagrams of actual dragonflies and the shape and wing-veining -- plus some examples from an Art Nouveau jewelry IG of priceless museum and "private-collection" jewels that a PSer pointed me to last year (IG bijouxancienslyon). I did not need to do all this -- Gary was way ahead of me. He reassured me that he was "very confident" (his words!) in his ability to carve and engrave a dragonfly. And I don't think I said another word!
I initially wanted rose gold but he prefers his "royal" alloy and of course gave me the choice. I thought it might look more authentic Art Nouveau-y in YG over RG.
So my jaw dropped when he sent me these photos from the almost-completed ring (before mounting the stone).
I love the "architectural" look of the body segments -- they extended around the entire shank and meet on the palm side. And it contrasts so nicely with the intricate wing engraving.
I held my breath for the bezel mounting since wavy/wobbly bezels are a pet peeve of mine -- and could be super-obvious on a near-precision-cut stone like this one and with such long straight sides. I also briefly wondered if the ring was too "nice" for my funky-but-not-top-of-the-class spinel -- but he assured me it would look great with that stone.
Here are some shots of the finished ring -- showing the clean bezel first. All photos are from Gary and/or his IG. Only the last two mediocre ones are my on-the-finger shots. I love how it's "accurate" but not Gothic/creepy (in my eyes). Spouse is kinda sensitive to bug stuff and she loves it -- she encourages me to wear it!
And closing it out with a terrible outdoors-in-the-shade hand shot of mine until I can use my "real" camera.
And this wildly out-of-focus one to highlight the mirror-polish on the spinel -- the leaves reflected in the table are 10 or 20 feet away.
It was such a pleasure to work with Inken again on this project. Sometimes I think the best thing she does -- while she is painstakingly looking for some unicorn we have set her off in search of -- is find something we are not looking for that is at least as cool.
And what a joy to work with Gary Roe for the first time. So much incredible talent but also so much enthusiasm and so collaborative -- it was really fun and energizing. He just ran with it -- and in exactly the right direction. He kept me posted every step of the way (I omitted a few steps above) -- showed me the wax carving and then the casting after some clean-up but still pre-engraving (which was so incredible that I wondered if I should just leave well enough alone!). Then after the engraving and after the mounting (confirming the bezel was perfect).
Edit: I have no relationship with either vendor -- just a happy customer.
Have never done this -- posted a "making of" thread -- but it looked like fun and the professionals did such a great job on this project that I can't resist! This was a custom piece with a stone sourced from Inken and amazing metalwork by Gary Roe in Maine. Inken was kind enough to point me in Gary's direction for the very specific type of carving/engraving work I had in mind.
It started with this spinel from Inken. I had been looking for a vivid orangish-red spinel in a cushion or step cut (with an entirely different project in mind) when Inken alerted me to this one -- while acknowledging that it was not at all what I was looking for but was still very cool. Definitely an unusual color and shape -- but I liked the "racetrack" oval instead of the more conventional oval. The color is not super-saturated and maybe even a hint of gray but it's appealing and even more so in person -- a kind of dusty rose outdoors and a more coppery color in incandescent light and, oddly, under fluorescent light, too. I checked with spouse and kids and no one felt it was particularly unmasculine (showing my insecurity here). And it's big -- over 5 ct and 15mm (!) across. Shallow but no window and well-cut and very clean.
I had admired Gary Roe's amazingly detailed botanical-themed, hand-engraved, Art Nouveau-looking metalwork (his IG is gary_roe_ ) and I was always struck that the leaves resembled dragonfly wings. (See this example below with emerald and YG.)
So I asked Gary if he could do something similar to this ring, above, with this spinel but stylize a dragonfly wing/body motif. He was super-excited about the idea and we were off and running. We each sketched a design and I sent him mine -- and we were on exactly the same page, idea-wise (although mine looked like it was drawn by an impatient five-year-old.) Two segmented bodies along the shank and pairs of wings meeting/overlapping at the half-way point around the stone. I was a little reluctant about proceeding because there is so much hokey dragonfly stuff that looks nothing like an actual dragonfly. I love nature and insects and natural history and it figures in my job so I did not want a fakey dragonfly. (I know they have a role and a place but it was just not what I wanted to stare at on my finger.) I sent Gary some inspo photos and diagrams of actual dragonflies and the shape and wing-veining -- plus some examples from an Art Nouveau jewelry IG of priceless museum and "private-collection" jewels that a PSer pointed me to last year (IG bijouxancienslyon). I did not need to do all this -- Gary was way ahead of me. He reassured me that he was "very confident" (his words!) in his ability to carve and engrave a dragonfly. And I don't think I said another word!
I initially wanted rose gold but he prefers his "royal" alloy and of course gave me the choice. I thought it might look more authentic Art Nouveau-y in YG over RG.
So my jaw dropped when he sent me these photos from the almost-completed ring (before mounting the stone).
I love the "architectural" look of the body segments -- they extended around the entire shank and meet on the palm side. And it contrasts so nicely with the intricate wing engraving.
I held my breath for the bezel mounting since wavy/wobbly bezels are a pet peeve of mine -- and could be super-obvious on a near-precision-cut stone like this one and with such long straight sides. I also briefly wondered if the ring was too "nice" for my funky-but-not-top-of-the-class spinel -- but he assured me it would look great with that stone.
Here are some shots of the finished ring -- showing the clean bezel first. All photos are from Gary and/or his IG. Only the last two mediocre ones are my on-the-finger shots. I love how it's "accurate" but not Gothic/creepy (in my eyes). Spouse is kinda sensitive to bug stuff and she loves it -- she encourages me to wear it!
And closing it out with a terrible outdoors-in-the-shade hand shot of mine until I can use my "real" camera.
And this wildly out-of-focus one to highlight the mirror-polish on the spinel -- the leaves reflected in the table are 10 or 20 feet away.
It was such a pleasure to work with Inken again on this project. Sometimes I think the best thing she does -- while she is painstakingly looking for some unicorn we have set her off in search of -- is find something we are not looking for that is at least as cool.
And what a joy to work with Gary Roe for the first time. So much incredible talent but also so much enthusiasm and so collaborative -- it was really fun and energizing. He just ran with it -- and in exactly the right direction. He kept me posted every step of the way (I omitted a few steps above) -- showed me the wax carving and then the casting after some clean-up but still pre-engraving (which was so incredible that I wondered if I should just leave well enough alone!). Then after the engraving and after the mounting (confirming the bezel was perfect).
Edit: I have no relationship with either vendor -- just a happy customer.
That's cool, and beautiful. A twofer.
What a stone, and what workmanship!
I’m also tickled that you referenced the emerald ring I got from Gary! He does amazing work.
Love the color of the stone with the YG and the design.
Love this! The dragonflies translated so well and look very architectural. Stunning piece!
My vote for jotw!
Congratulations & wear it in good health!
Wow/ the detailing!!
That ring is fantastic!
this is true art, wear it in the best of health!
Gary has amazing work - I randomly found him through an ad or other shared post on IG and had him do some restoration work on a band for me. His hand fabricated pieces are so cool to see the process.
What a special piece!!!
“A little honey” for his Victorian tiara post, love it!
Fantastic ring, congrats!
I can't imagine that ring being anything other than what it is, which to me says it is perfect. Thank you so much for sharing it!
I love love love the dragonfly detail work on the ring and the stone is lovely
have seen some engraving work on watch bracelets, too- and I am drooling!
What a beautifully executed ring. Congrats!
Wow love the ring and love even more that it's a PSers! Saw on IG originally and was floored by the detail
That is INSANELY cool!
BEYOND stunning!
good reason to add a comment to the thread.
Your idea was great, and the workmanship and execution of the vision perfect
this is incredible!
You know I always enjoy seeing men take creative risks with their jewels! So impressed with this piece!!
yet you resisted the urge to overdo it.
To quote Bill Engvall - completely inappropriate to this context, mind - here’s your signWas at my inlaws and saw this teapot that they keep on the wood stove to humidify the air. Swooped in for a closer look as I was avoiding other (food-prep) work before a get-together and saw it was a gorgeous dragonfly motif. And then I remembered that spouse and I got it for her maybe three decades ago (!). So I guess I have always had a thing for naturalistic dragonflies.
Thank you, @Autumn in New England! Wait you didn't just tell me how "brave" I was to wear that swimsuit, did you?
Yes, it was a step outside my comfort zone but I felt I was in good hands!
To quote Bill Engvall - completely inappropriate to this context, mind - here’s your sign
lol The opposite actually!
Have never done this -- posted a "making of" thread -- but it looked like fun and the professionals did such a great job on this project that I can't resist! This was a custom piece with a stone sourced from Inken and amazing metalwork by Gary Roe in Maine. Inken was kind enough to point me in Gary's direction for the very specific type of carving/engraving work I had in mind.
It started with this spinel from Inken. I had been looking for a vivid orangish-red spinel in a cushion or step cut (with an entirely different project in mind) when Inken alerted me to this one -- while acknowledging that it was not at all what I was looking for but was still very cool. Definitely an unusual color and shape -- but I liked the "racetrack" oval instead of the more conventional oval. The color is not super-saturated and maybe even a hint of gray but it's appealing and even more so in person -- a kind of dusty rose outdoors and a more coppery color in incandescent light and, oddly, under fluorescent light, too. I checked with spouse and kids and no one felt it was particularly unmasculine (showing my insecurity here). And it's big -- over 5 ct and 15mm (!) across. Shallow but no window and well-cut and very clean.
I had admired Gary Roe's amazingly detailed botanical-themed, hand-engraved, Art Nouveau-looking metalwork (his IG is gary_roe_ ) and I was always struck that the leaves resembled dragonfly wings. (See this example below with emerald and YG.)
So I asked Gary if he could do something similar to this ring, above, with this spinel but stylize a dragonfly wing/body motif. He was super-excited about the idea and we were off and running. We each sketched a design and I sent him mine -- and we were on exactly the same page, idea-wise (although mine looked like it was drawn by an impatient five-year-old.) Two segmented bodies along the shank and pairs of wings meeting/overlapping at the half-way point around the stone. I was a little reluctant about proceeding because there is so much hokey dragonfly stuff that looks nothing like an actual dragonfly. I love nature and insects and natural history and it figures in my job so I did not want a fakey dragonfly. (I know they have a role and a place but it was just not what I wanted to stare at on my finger.) I sent Gary some inspo photos and diagrams of actual dragonflies and the shape and wing-veining -- plus some examples from an Art Nouveau jewelry IG of priceless museum and "private-collection" jewels that a PSer pointed me to last year (IG bijouxancienslyon). I did not need to do all this -- Gary was way ahead of me. He reassured me that he was "very confident" (his words!) in his ability to carve and engrave a dragonfly. And I don't think I said another word!
I initially wanted rose gold but he prefers his "royal" alloy and of course gave me the choice. I thought it might look more authentic Art Nouveau-y in YG over RG.
So my jaw dropped when he sent me these photos from the almost-completed ring (before mounting the stone).
I love the "architectural" look of the body segments -- they extended around the entire shank and meet on the palm side. And it contrasts so nicely with the intricate wing engraving.
I held my breath for the bezel mounting since wavy/wobbly bezels are a pet peeve of mine -- and could be super-obvious on a near-precision-cut stone like this one and with such long straight sides. I also briefly wondered if the ring was too "nice" for my funky-but-not-top-of-the-class spinel -- but he assured me it would look great with that stone.
Here are some shots of the finished ring -- showing the clean bezel first. All photos are from Gary and/or his IG. Only the last two mediocre ones are my on-the-finger shots. I love how it's "accurate" but not Gothic/creepy (in my eyes). Spouse is kinda sensitive to bug stuff and she loves it -- she encourages me to wear it!
And closing it out with a terrible outdoors-in-the-shade hand shot of mine until I can use my "real" camera.
And this wildly out-of-focus one to highlight the mirror-polish on the spinel -- the leaves reflected in the table are 10 or 20 feet away.
It was such a pleasure to work with Inken again on this project. Sometimes I think the best thing she does -- while she is painstakingly looking for some unicorn we have set her off in search of -- is find something we are not looking for that is at least as cool.
And what a joy to work with Gary Roe for the first time. So much incredible talent but also so much enthusiasm and so collaborative -- it was really fun and energizing. He just ran with it -- and in exactly the right direction. He kept me posted every step of the way (I omitted a few steps above) -- showed me the wax carving and then the casting after some clean-up but still pre-engraving (which was so incredible that I wondered if I should just leave well enough alone!). Then after the engraving and after the mounting (confirming the bezel was perfect).
Edit: I have no relationship with either vendor -- just a happy customer.
Wow, I’m finding this now after stumbling on Gary Roe’s work on Instagram. Fantastic ring, I’m looking forward to reading this thread in detail. Thanks for the detailed “ring journey”!
This is the post that got me into Gary Roe's work!