thinner arrows, brighter under the table, works better with the crown angles that I like the personality of the best.Date: 10/30/2005 11:40:49 PM
Author: Daniel B
Storm- why do you perfer 80-81 lgf over 77-78?
Would 34.4 and 40.8 fit ur description? Or are talking more like 34.1-34.3 and 40.9-41?Date: 10/31/2005 12:01:47 AM
Author: strmrdr
thinner arrows, brighter under the table, works better with the crown angles that I like the personality of the best.Date: 10/30/2005 11:40:49 PM
Author: Daniel B
Storm- why do you perfer 80-81 lgf over 77-78?
In rounds for me the brighter the better while maintaining light show ability that means super ideal diamonds with low 34.x pavilions and high 40.x(41.0 as long as none are a lot over is good too) with longish lgf and long stars look the best to me.
Id rather have an asscher :}
Date: 10/31/2005 12:20:46 AM
Author: Daniel B
Date: 10/31/2005 12:01:47 AM
Author: strmrdr
Date: 10/30/2005 11:40:49 PM
Author: Daniel B
Storm- why do you perfer 80-81 lgf over 77-78?
thinner arrows, brighter under the table, works better with the crown angles that I like the personality of the best.
In rounds for me the brighter the better while maintaining light show ability that means super ideal diamonds with low 34.x pavilions and high 40.x(41.0 as long as none are a lot over is good too) with longish lgf and long stars look the best to me.
Id rather have an asscher :}
Would 34.4 and 40.8 fit ur description? Or are talking more like 34.1-34.3 and 40.9-41?
Would 77-78 lgf leave the table looking a bit dark?
Date: 10/30/2005 11:40:49 PM
Author: Daniel B
Storm- why do you prefer 80-81 lgf over 77-78?
After looking at thousands of these I can tell you that diamonds cut in the span of lgf being discussed can all be of top beauty with great performance through a broad range of lighting.Date: 10/31/2005 7:40:27 AM
Author: strmrdr
Date: 10/31/2005 12:20:46 AM
Author: Daniel B
Date: 10/31/2005 12:01:47 AM
Author: strmrdr
Date: 10/30/2005 11:40:49 PM
Author: Daniel B
Storm- why do you perfer 80-81 lgf over 77-78?
thinner arrows, brighter under the table, works better with the crown angles that I like the personality of the best.
In rounds for me the brighter the better while maintaining light show ability that means super ideal diamonds with low 34.x pavilions and high 40.x(41.0 as long as none are a lot over is good too) with longish lgf and long stars look the best to me.
Id rather have an asscher :}
Would 34.4 and 40.8 fit ur description? Or are talking more like 34.1-34.3 and 40.9-41?
Would 77-78 lgf leave the table looking a bit dark?
34.4 and 40.8 is an awesome combo but borderline my favorite.
keep in mind I wouldnt recomend not buying a 34.4 and 40.8 combo if everything else was right its a kicken combo.
As for the lgf it depends on what looks good to your eyes.
I wouldnt call it dark, ACA's are cut to 77-79 and an occasional 80 and a lot of people love them.
Its not a matter of cut quality when it gets down to this level its about personality and in most cases the differences are small in a lot of light conditions until you move in a large direction one way or the other.
For example pretty much anyone would notice the difference between 75 and 78 and 81 lgf height.
Where pretty much no one will see the difference between a 79 and 80.
If you are just going to wear the diamond it doesn''t. I have seen beautiful diamonds in all of the lgf ranges being discussed.Date: 10/31/2005 9:18:01 AM
Author: valeria101
Trying to sum up the ramble: before the new GOG site comes up, I haven''t found much to look at about combinations of minors optimized for given crown and pavilion angles. How much does it matter?
Hey, John, I''m writing because I like hearing all manner of reassuring talk. Also, however, I like it when experts can agree on the finer points, and I can stay reassured.Date: 10/31/2005 11:45:02 AM
Author: JohnQuixote
There are 2 things that take precedence over the minor facets: The pavilion and crown angles (in that order of importance) and the integrity of the patterning in the diamond, meaning the alignment of the mirrors in the pavilion with each other and with the crown facets. You can get an idea of patterning integrity with an ideal-scope or other reflector photo. Note that on pricescope most reflector photos you see are of those of well-patterned diamonds. Pavilion and crown angle preferences are just that: Preferences.
Bruce's observations are in-line with the way other cutters consider LGF length. He is saying that LGF over 80% (GIA), in his experience, become the main pavilion feature at the expense of the mains and at a reduction in contrast.Date: 10/31/2005 12:19:38 PM
Author: Regular Guy
Hey, John, I'm writing because I like hearing all manner of reassuring talk. Also, however, I like it when experts can agree on the finer points, and I can stay reassured.
I read here from Bruce Harding, when he says: 'note that pavilion 'mains' are no longer dominant; the 'halves', when 80% deep, become the dominant feature of the pavilion and are at about 42°'.....that crown & pavilion angles may not tell even the bigger half of the story. Then again, I find I'm not very technical on these things, and didn't exactly feel cleared up by my follow up.
What say you? Can you help me understand this point of view? Is it counter to your proposal, or a special case being discussed, as you see it.
Brian and I are in agreement with the majority of what Bruce has to say here, with the exception of the restaurant example. Bruce is a colored gemstone faceter, which means he is well-versed in methods of entrapping body color. I don't pretend to be a cutter, but Brian is one of the best. In my observation (I will ask him to verify) the diamonds that react best in low-light conditions are those with pavilion angles between 40.5-40.9 and top patterning - and a lgf% range less than 80%.Date: 9/29/2005 5:59:01 PM
Author: beryl
... . I am not involved in diamond buying or selling. My contributions are usually technical, for which I have recently been criticized, but I will offer some thoughts - and that's all they are.
. We know that Tolkowsky proportions are near the center of the 'good design' spectrum; GIA ansd MSU studies have shown this. Hiowever, when Tolkowsky 'chose' these proportions the halves were rather short - perhaps 65-75%; the 'mains' were the dominant factor in the view through the table; now they are not. Studies by MSU and GIA, circa 1999, were with 80% halves (measured the GIA way, 82% measured the MSU way).
. It is my feeling that when the pavilion halves are too long they overpower the effect of the 'mains' and there is not as strong contrast effect as the stone is moved; furthermore, dynamic contrast is still happening over a wider range of tilt angles. On the other hand, their slopes are closer to those of the mains, so it takes less tilt to cause a change in contrast = mini-scintillation.
. I think that very long halves create more of a 'reflector' than a 'gem' - as might be the case if they were 100% and there were no mains.
. My personal preference is lots of dynamic contrast as the stone is waggled over a wide range - rather than brilliance. I hear about stones that blind someone on the other side of a restaurant; I'll bet that these have very long pavilion halves.
. I can't back any of this up with experience or scientific data - it is my 'gut' feeling - some of it seen while cutting colored stones. ... and what is 'beauty' is the beholder's preference...
Date: 10/31/2005 1:02:26 PM
Author: JohnQuixote
Bruce's observations are in-line with the way other cutters consider LGF length. He is saying that LGF over 80% (GIA), in his experience, become the main pavilion feature at the expense of the mains and at a reduction in contrast.Date: 10/31/2005 12:19:38 PM
Author: Regular Guy
Hey, John, I'm writing because I like hearing all manner of reassuring talk. Also, however, I like it when experts can agree on the finer points, and I can stay reassured.
I read here from Bruce Harding, when he says: 'note that pavilion 'mains' are no longer dominant; the 'halves', when 80% deep, become the dominant feature of the pavilion and are at about 42°'.....that crown & pavilion angles may not tell even the bigger half of the story. Then again, I find I'm not very technical on these things, and didn't exactly feel cleared up by my follow up.
What say you? Can you help me understand this point of view? Is it counter to your proposal, or a special case being discussed, as you see it.
Brian and I are in agreement with the majority of what Bruce has to say here, with the exception of the restaurant example. Bruce is a colored gemstone faceter, which means he is well-versed in methods of entrapping body color. I don't pretend to be a cutter, but Brian is one of the best. In my observation (I will ask him to verify) the diamonds that react best in low-light conditions are those with pavilion angles between 40.5-40.9 and top patterning - and a lgf% range less than 80%.Date: 9/29/2005 5:59:01 PM
Author: beryl
... . I am not involved in diamond buying or selling. My contributions are usually technical, for which I have recently been criticized, but I will offer some thoughts - and that's all they are.
. We know that Tolkowsky proportions are near the center of the 'good design' spectrum; GIA and MSU studies have shown this. However, when Tolkowsky 'chose' these proportions the halves were rather short - perhaps 65-75%; the 'mains' were the dominant factor in the view through the table; now they are not. Studies by MSU and GIA, circa 1999, were with 80% halves (measured the GIA way, 82% measured the MSU way).
. It is my feeling that when the pavilion halves are too long they overpower the effect of the 'mains' and there is not as strong contrast effect as the stone is moved; furthermore, dynamic contrast is still happening over a wider range of tilt angles. On the other hand, their slopes are closer to those of the mains, so it takes less tilt to cause a change in contrast = mini-scintillation.
. I think that very long halves create more of a 'reflector' than a 'gem' - as might be the case if they were 100% and there were no mains.
. My personal preference is lots of dynamic contrast as the stone is waggled over a wide range - rather than brilliance. I hear about stones that blind someone on the other side of a restaurant; I'll bet that these have very long pavilion halves.
. I can't back any of this up with experience or scientific data - it is my 'gut' feeling - some of it seen while cutting colored stones. ... and what is 'beauty' is the beholder's preference...
Date: 10/31/2005 11:52:15 AM
Author: JohnQuixote
If you are just going to wear the diamond it doesn't. I have seen beautiful diamonds in all of the lgf ranges being discussed.Date: 10/31/2005 9:18:01 AM
Author: valeria101
Trying to sum up the ramble: before the new GOG site comes up, I haven't found much to look at about combinations of minors optimized for given crown and pavilion angles. How much does it matter?
Now, if you are planning to wear a thumb drive with a helium scan, computer simulations, reflector photos and a bunch of posts from PS to support your decision to snag those LGFs at a 78 avg rather than 80, maybe it does matter. Otherwise, no one is going to know the dif.