Crimson
Brilliant_Rock
- Joined
- Apr 3, 2019
- Messages
- 962
Heehee! I think it is not about bogan but several factors - a jewellery-loving and consuming public; high density of wealthy people, family offices, private banks;; and the fact that so many meetings, conventions, events, concerts, etc are held here. It is all about the market that they are able to capture - with the greatest ease. Right now VCA is holding a minerals exhibition in Hong Kong. Last year they had an emeralds exhibition in Beijing and they moved to Dubai this year. The next exhibition to come to Singapore will be on the art of movement. I was told that it will include automatons. I am so excited!Oh my thank you for the pics Crimson!!! They are amazing! Nothing like this ever comes to Australia! I wonder if they think we’re too bogan for it! Hee
@Starstruck8 I thought you might say that about the stars! Aren’t they just a bit odd? I actually don’t like that piece. It looks a bit like a three-eyed monster.My thoughts exactly. Even more so because I'm in Brisbane. But to be really realistic, every single piece would be just a bit beyond my budget...
@Crimson, thank you for posting this. Those pieces are truly amazing! Not just for the rubies themselves, but for the matching. Dozens of matched perfect rubies! I love those star rubies. But I can't help noticing that they don't match. With star rubies, even at this exalted level, you have to take what you can get...
I also have to say that I had to brighten my camera for the photos. If I did not, the rubies would have looked quite dark - like the top half of the second photo - despite all the elaborate lighting.
It’s also telling that only one of the pieces — the necklace with the large detachable pendant —has rubies that are described as being Burmese and unheated. I guess the rest are not Burmese.
I was delighted to see that more than half the pieces were based on cabochons - which I love. I agree with you on the matching. It is quite a feat. I also noticed that a some of the pieces were rather included, but with that size and intensity, who cares!
I am now attaching other parts of the exhibition — mineral specimens, and photomicrography by Billie Hughes. Some of the photos have been featured in her book, Outside In, and on the Lotus Gemology Hyperion site. Still, it was a treat to see them writ large.