Autumn in New England
Ideal_Rock
- Joined
- Jan 20, 2012
- Messages
- 4,961
Ha! It's an old photo! Rodney is the cute one!
Grateful to @2Neezers for directing me to this thread. Oh the eye candy! I am a turq junkie. What a joy to scroll through all of these stunning jewels.
Here are a few of my recent pieces... I sourced and cut the stones in this "sampler" piece, which I also designed. They are all untreated. Navajo master silversmith Henry Yazzie completed the work. Left to right, the stones are royston, grasshopper, golden hill, kingman, carico lake, number 8, and morenci. The clasp is bisbee.
And this is an XL ithaca peak and gold piece Kee Yazzie made for me. I cut the stone... not sure if you can see it, but the matrix is all sparkling pyrite. I have a video, but can't seem to get it to post. Oh well.
Here's a video just after putting on the final polish. You can sort of see how the matrix sparkles. Please excuse the breathing... was still wearing my respirator!
Hey @theredspinel! I am in full agreement... I try my damndest to avoid anything treated with all of my gems. Truly though, contrary to popular belief, there is so much unstabilized turq out there! Everything I posted here is untreated. Some great American mines that produce large nugget, hard rough that does not need stabilizing is royston, carico, battle mountain, pilot mountain, candelaria, morenci, bisbee, and kingman (stay away from the commerical stuff... I'm talking high-grade). Golden hill (from Kazakhstan) is an incredible periwinkle shade with brown matrix... super hard and untreated. I am also in love with sonoran gold from Mexico. It's bi-color and untreated. I will post some examples!
Whoa, that ended up being way longer than I anticipated! Sorry for bombarding the thread. So, @theredspinel, that's a tough question. I sort of go where the wind takes me in that respect. I could definitely give you a list of galleries where you can find high-end pieces. But the loose stones or rough material is a bit more tricky. Sometimes I check out ebay or etsy, or they come from a contact at the mines. Please let me know what you're looking for... I would so love to assist in your hunt!
@AutumnInNewEngland
You have such vast knowledge...I love hearing about all the mines.
I have acquired a bit more turquoise recently and will post more photos soon.....
In the meantime, I've had this piece for many years, it was a gift. Most likely Navajo made. Can you tell me where you think the stone it is from?
Chinese without a doubt, @stracci2000! Very pretty!!
Really? I'm so disappointed
I want to show you something, @stracci2000. This is a necklace by Victor Trujillo (Navajo) that I purchased from the Gertrude Zachary gallery. It is high-grade cloud mountain turq (from China). I defy any turq lover to dismiss this material simply because it's Chinese. So keep on loving your beautiful pendant, my friend!
Hi @theredspinel! BTW, I want to see your red spinel. Anyway! So, variation in color or tone does not necessarily speak to the stone's possible treatments either way. Unlike transparent gems, where we can turn to certain vendors and rely on gemological reports for quality grades, turquoise is one of those stones where you literally have to hold hundreds of pieces in your hand before you truly have the knowledge to decipher grades and possible treatments. So it's difficult to do by photos alone. But do you have a better one of this cab? SBT is tough, because it's one type of turq that is stabilized more often than not. Most of the other mines I mentioned can be better trusted. Some are never treated. Kingman is another one where you really need to know your stuff to avoid stabilized stones (if you want to, that is). But the high-grade kingman material is fairly easy to distinguish from the lower grade Colbaugh processed stones.
Chinese without a doubt, @stracci2000! Very pretty!!
I’d love to know how you know this?!! Teach me to be you please (ugh proper smilies not working)